Dugin gazes upon modernity with the cold eyes of a wolf
In Dugin’s analysis, liberalism tends to self-abolition in nihilism, and is able to counteract this fate — if only temporarily — by defining itself against a concrete enemy. Without the war against illiberalism, liberalism reverts to being nothing at all, a free-floating negation without purpose. Therefore, the impending war on Russia is a requirement of liberalism’s intrinsic cultural process. It is a flight from nihilism, which is to say: the history of nihilism propels it.
Outside in is far more inclined to criticize Dugin than align with him, or the forces he orchestrates, but it is hard to deny that he represents a definite species of political genius, sufficient to categorize him as a man of destiny. The mobilization of resistance to modernity in the name of a counter-nihilism is inspired, because the historical understanding it draws upon is genuinely penetrating. Through potent political alchemy, the destruction of collective meaning is transformed into an invigorating cause. When Dugin argues there will be blood, the appeal to Slavic victimology might be considered contemptible (and, of course, extremely ‘dangerous’), but the prophetic insight is not easy to dismiss.
Modernity was initiated by the European assimilation of mathematical zero. The encounter with nothingness is its root. In this sense, among others, it is nihilistic at its core. The frivolous ‘meanings’ that modernizing societies clutch at, as distractions from their propulsion into the abyss, are defenseless against the derision — and even revulsion — of those who contemplate them with detachment. A modernity in evasion from its essential nihilism is a pitiful prey animal upon the plains of history. That is what we have seen before, see now, and doubtless will see again.
Dugin gazes upon modernity with the cold eyes of a wolf. It is merely pathetic to denounce him for that